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Welcome to SENTINEL LITERARY QUARTERLY

Vol.3. No. 2. January 2010

 


CONTRIBUTORS

FICTION

SECTIONS

Andrew Campbell-Kearsey
Claire Godden-Rowland
Dike Okoro
Dominic James
Emmanuel Sigauke
Mandy Pannett
Noel Williams
N Quentin Woolf
Olu Oguibe
Paul Jeffcutt
Sharma Taylor
Susanna Roxman
W Jack Savage

 

Night in a Drum A Short Story by Emmanuel Sigauke

 

 Once, when he was drunk, I asked him why he liked making baboon stools and he said that he hated the creatures, notorious corn thieves which not only stole, but also left their dirt in the fields.

 “And you know their dirt just looks like ours,” he said, reminding me never to tell Mai he had told me this dirt thing. I never told Mai about baboon dirt, but on the day I ended up in Mai Ranga’s drum I swear I could have told her if she had been home.

The trouble on this day began with me getting another adze, thinking I could help by making my own animal stool, but I wasn’t going to carve a baboon. I had a hare in mind, so I drew a picture on the ground. Mukoma saw it and said, “You can’t waste my tree on a hare. Hares are weak, smart yes, but very weak. Make a baboon!”

I got to work, making a baboon. Right when its head was appearing, the adze missed the wood and sliced some skin off the top of my foot, sending blood squirting everywhere. The sight scared me and I started bawling.  When Mukoma saw the wound, his face swelled into a cloud of anger. I stopped screaming, remembering that he hated signs of weakness in a man. He had told me I should always deal with problems like a man.

I went silent and wiped my tears; then I stood up and started limping away, but when I felt his eyes crawling on my legs, I straightened up and walked like I was just fine.

“Make sure you don’t waste that trip,” he said softly, and I heard him clearly, but this time I decided to do things differently.

Instead of fetching a Mupani whip, I went to a Mubondo tree. I thought Mubondo whips were stronger, but less painful—they looked so. I also thought Mukoma would smile when he saw that I had shown some clever thinking by choosing a stronger whip. But boy was I wrong when I returned and showed it to him. He didn’t have to say anything. The look on his face told me I had to go back to look for the usual Mupani.

Mupani whips were killers, so painful I often wondered if they had been created just to cause me pain. Even Chari, my friend whose father beat often, used to say Mupani was just for straightening bad boys. He told me he was not a bad boy, but that his father whipped him to put Mupani trees to use. I did not agree with him and I told him that we also used Mupani for firewood and for the roofing poles. I liked Mupani wood fire, but hated the burn of the whip on my body.

I returned to home, whip in hand, and stood on the edge of the compound.  Mukoma sat, adze abandoned, smoking. When he did not raise his head to look at me, I knew there was no room for forgiveness, so I tiptoed towards him, slowly, extending my arm to hand him the whip; soon this—the beating itself—would be over, and I would put salty water on my wounds and go to gather the goats and enclose them in their pen. But something told me to stop— stop walking, stop handing him the whip, stop everything.

Mukoma threw the burnt-out cigarette stub on the ground, looked at me with red eyes, then at the whip, and I knew I had done something really wrong. The whip didn’t satisfy him, but he was not telling me to go try again, which I had hoped he would. I looked at his hands and noticed that they were swelling into fists. And his legs were shaking, as if they were being delayed for something they were itching to do. Fear was filling me up like air feels a balloon.

I heard no voice, I saw no sign, but I immediately took off, and heard the mess of wood and half-carved heaps toppling over as Mukoma sprung up to chase after me.

“I’m gonna kill you, blarry fool!” he bellowed.

The wind got hold of my arms and legs and I flew like I had grown some wings. Soon I realized that I wasn’t flying because when I glanced back Mukoma was panting right behind me. I pick up speed, meandered, jumped over something, turned left, turned right, and heard a heavy thud on the ground behind me, like the falling of a big tree.  I looked back and saw a miracle, more than a miracle:  Mukoma was rolling on the ground, holding his leg, but soon he was up again, cursing and pointing, and I sped away. I kept running without looking back, unsure where I was going. When I looked back again I didn’t see him, so I slowed down and looked ahead of me. There he was, nicely standing by a tree in front of me. He extended his arms in a welcome pose, smiled, and said, “Hello Tari.”

 

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JANUARY 2010 INDEX
COMPETITIONS
DRAMA
EDITOR'S NOTE
ESSAYS & REVIEWS
FICTION
INTERVIEWS
POETRY

 

JANUARY 2010 INDEX | COMPETITIONS | DRAMA | EDITOR'S NOTE | ESSAYS & REVIEWS | FICTION | INTERVIEWS | POETRY

 

Sentinel Literary Quarterly is Published by Sentinel Poetry Movement | Editor: Nnorom Azuonye

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