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Sentinel Poetry Magazine December 2002
NNOROM AZUONYE
MAD SONGS A plea against war
Tortured out of bed at the yawn of dawn I compose another mad song about this circus: our world, and us; its dying players rotting in life like putrid shins of the war-maimed, the ulcerating displaced people weeping in the night.
I sing about padlocked lips of viewless apes crouching past the White House butcher and his sidekick at Downing Street heavy with vulpine battle cries soon to decimate the innocent, the nameless, the powerless those bushdamned collaterals!
Collateral cull, collateral cull, with luck, of the yet unborn or toddling destined-to-be terrorists… collateral cull is great coinage at press briefings on other people's affordable losses, bereaved beloveds feed flesh of their flesh to the insatiable desert earth and may never understand what for. Afterall the pallbearers' burden is only firewood if it is somebody else's child.
I sing in the choir of small sane voices; the often-deemed mad, pools of poets like clans of cursed scribes, who record in delightful words the harrowing deeds that eat the world to death, and capture the blood for blood war songs of world leaders.
Yes, the spectre of terrorism walks the world like a drunken bully with bloodshot eyes. We feel the heat everywhere we go; tour coaches in Israel, office towers in America, nightclubs in Turkey, churches in Pakistan streets in Nigeria - even in our hearts!
The legacy of terror in our time is a story of innocent neighbours butchered like cows, of necks freshly-kissed broken with every blast like a toothpick between fingers of a belching despot, of bodies recently-hugged crushed by planks and bricks like oranges in a field of quickstepping elephants, of suits recently-cleaned burnt in the same bonfire that burnt beards, chest hair, and pubic hair, putting out lives like aberrant light bulbs smashed in the name of a cause or a God.
But if today we resort to terrorism to fight terrorism who can tell us apart from them? When was the last time two wrongs made a right? Why do these makers of mayhem we write about do what they do how they do it? Why are they so mad? George Bush, do you know? You treat the disease but ignore the cause. I say, hold back a while your killing machines, for they are incapable of telling men of terror from children. I say, STOP!
If you try you may find a clever way to kill killers and safeguard the world without making orphans of innocence on the trot - innocence that will grow to commune - hurt to hurt from monasteries to nunneries of sorrow's kinship and seek revenge against your children and their children: a cycle of blood-letting that cuts deep our world till we write its lyrics in inks of blood.
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